It is said that confession is good for the soul. Well, we’re betting that it is certainly good for the soul of whichever priest gets to hear the confessions of Jaco, a good Catholic boy from a village close to the Polish border. In that spirit, we must confess. Jaco, perhaps because of his good Catholic upbringing, is very good at obeying instructions and quite naive. So the scene’s opening of Scott manipulating Jaco to get some alone-time with Gino is pretty close to reality.