M-drugs, Female Flesh Toilet, Kana Yura She has worked in films directed by Normal KIM and Migiwa Ota, and can be called the “Madonna of Dogma's Abuse,” but this is only her second appearance in the TJ group. However, she has greatly evolved from her previous work, “Skewer Torture: Criminal Micro Girl,” both visually and in terms of erotic power. From the first block of hardcore licking, the minimalist Lolita is in agony, vomiting profusely for the first time in her life, and gushing out pleasured screams. Her vomit-covered face is so cute. Her face is so cute, and the way it becomes more and more innocent and fragile with her anguish is just like a toddler returning home. It is as if she herself has been purified by the vomit. In the next block, she is subjected to a thorough “forced cum torture” with an electric hammer and a double-headed dildo, which makes her come like crazy. But in complete ecstasy, she is drenched in a huge amount of urine, and her expression of delight and gratitude is evident in the spray of her incontinence. In the final three-round gangbang fuck, she repeatedly climaxed and became semi-crazy, begging like a young child, “Let me out inside your meaty toilet bowl. Witnessing such lasciviousness and being caught in the criminal sensation of raping a little girl is not so bad for you. Her desire to be a perfect toilet, to be a perfect toilet, I can be a perfect toilet,” she says with conviction, and her feelings turn into conviction, giving birth to a troubling and rich eroticism. The “strongest Lolita meat handmaiden” in the history of mankind is finally complete!　　(Udagawa)